Apollo and Daphne — Art History Perspectives
Bernini's inspiration for this complex composition comes from Ovid's Metamorphoses, where Apollo, the sun God, is in love with Daphne, and Cupid wounds him with a golden arrow, while Daphne has declared herself eternally chaste. Apollo being the son of Zeus was accustomed to getting his own way, so Daphne's refusal of his advances aroused.
Apollo and Daphne at the Galleria Statue Rome, Apollo and Daphne Statue, Rome Statue
In this sculpture, Bernini depicts the mythological drama that occurs between Apollo, god of music and poetry, and Daphne, a virginal nymph. The artist was likely inspired by the classical sculpture Apollo Belvedere (circa 2nd century AD) as well as the ancient Roman poet Ovid's rendition of the myth.In Ovid's telling, the story begins with a pissing contest between two male gods: After.
Apollo and Daphne Experiencing The Divine
Apollo and Daphne is one of Bernini's first major Commissions by Cardinal Scipione Borghese. Cardinal Borghese was one of the most powerful, prominent and extravagantly wealthy religious persons in Rome. A patron who wanted the best artists to work for him. Among them there was a young Bernini who started to work on this sculpture in 1622.
Bernini, Apollo and Daphne (detail) Gian Lorenzo Bernini, … Flickr
Email: [email protected] / Phone: +44 7429 011000. There is a fascinating story behind the sculpture Apollo and Daphne by Gian Lorenzo Bernini. The sculpture was inspired by a story from the tale of Ovid's Metamorphosis. Apollo, the god of light and poetry, teased Cupid about how young he was to handle the bow and arrow, terming them as.
Comentario exhaustivo (IV) “Apolo y Dafne”, Gian Lorenzo Bernini El Estudio del Pintor
Apollo and Daphne's sculpture was ordered after Borghese transferred the earlier work of his patronage, Bernini's Pluto and Persephone, to Cardinal Ludovico Ludovisi. Most of the work was done in 1622-23, but there was a pause, most probably for work on the sculpture of David, which interrupted its completion, and the artist did not finish.
Apollo and Daphne by gianlorenzo Bernini is without a doubt the most amazing sculpture ever
When Apollo reached out to touch Daphne Peneus turned Daphne into a laurel tree. In doing this, Daphne could forever protect her maidenhood, and Apollo, still very much in love, made laurel leaves one of his symbols. The moment in the story where Apollo touches Daphne is the moment portrayed in Bernini's statue.
Le Bernin Apollon et Daphné Bernini Galerie Rome
Apollo and Daphne (1625) by Bernini. Although retold in Ovid's book, the story of these two characters originally came from Greek and Roman mythology. Thanks to the advances in printing technology during the Renaissance period, ancient texts and myths started to emerge and be published, and the rise in the popularity of these stories resulted in the commissioning of works that portrayed them.
Bernini Apollo And Daphne Bronze Life Size Sculpture
Bernini portrays this moment at the height of the action; Apollo has just touched Daphne's torso, and she is transforming into a tree. This snapshot is able to tell the entire story. The look of longing on Apollo's face is still apparent, both of them appear to still be moving, as if in mid-chase, and the transformative depiction of Daphne.
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Roman, Apollo and Daphne, c. 62-79 A.D., fresco from South wall of Casa dell'Efebo, Pompeii showing Apollo holding a sprig of laurel, while Daphne is perhaps dancing. It likely reflects a pre-Ovidian source. Apollo and Daphne is a transformation myth. No written or artistic versions survive from ancient Greek mythology, so it is likely Hellenistic in origin.
Bernini, Apollo and Daphne (detail) a photo on Flickriver
Gian Lorenzo Bernini, Apollo and Daphne. by Dr. Beth Harris and Dr. Steven Zucker. Gian Lorenzo Bernini, Apollo and Daphne, 1622-25, Carrera marble, 243 cm high (Galleria Borghese, Rome) A conversation with Dr. Beth Harris and Dr. Steven Zucker. More Smarthistory images….
Galleria Gian Lorenzo Bernini, Apollo und Daphne… Flickr
The Apollo and Daphne myth dates back to Greek mythology. It is also the inspiration for the stunning baroque marble Apollo and Daphne Bernini sculpture. The story can be found in the Apollo and Daphne Ovid verses in Book 1 of the famous Metamorphosis. Despite its ancient origins, the myth is very much one that has relevance to this day.
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Apollo and Daphne. Gian Lorenzo Bernini. This is the sculpture that secured the young Bernini international fame for its breathtaking beauty, innovative composition, and technical virtuosity. Drama: Like the Rape of Persephone, in Apollo and Daphne Bernini depicts the most dramatic scene in the story. In a virtuoso feat of craftsmanship Bernini.
Apollo and Daphne Bernini Gian Lorenzo
Other articles where Apollo and Daphne is discussed: Gian Lorenzo Bernini: Early years:.to the hallucinatory vision of Apollo and Daphne (1622-24), which was intended to be viewed from one spot as if it were a relief. In his David (1623-24), Bernini depicts the figure casting a stone at an unseen adversary. Several portrait busts that Bernini executed during this period, including that…
Apollon et Daphné (16221625) par Gian Lorenzo BERNINI dit Le Bernin (15981680) Marbre
The life-sized Baroque marble sculpture by Bernini depicts the climax of the story of Apollo and Daphne (Phoebus and Daphne) in Ovid's Metamorphoses. It shows Apollo finally catching up to Daphne, just as she is being transformed into a laurel tree. Apollo clutches Daphne's hip, pursuing her as she flees to escape him. Apollo wears a laurel.
pattsart Apollo and Daphne
Gian Lorenzo Bernini, Apollo and Daphne, 1622-25, Carrera marble, 243 cm high (Galleria Borghese, Rome) A conversation with Dr. Beth Harris and Dr. Steven Zucker. Cite this page as: Dr. Beth Harris and Dr. Steven Zucker, "A-Level: Gian Lorenzo Bernini, Apollo and Daphne ," in Smarthistory, July 18, 2017, accessed December 3, 2023, https.
Apollo and Daphne was created by Gian Lorenzo Bernini Gian Lorenzo Bernini, Daphne, Vincent Van
Gian Lorenzo Bernini, Apollo and Daphne, 1622-25, Carrara marble, 243 cm high (Galleria Borghese, Rome)A conversation with Dr. Beth Harris and Dr. Steven Zuc.
