Wedgwood and Bentley Ewer British, Etruria, Staffordshire The Metropolitan Museum of Art
JOSIAH WEDGWOOD AND THOMAS BENTLEY 5 argue the importance of an industry's ability to adjust itself to changing tastes and changing demand is to examine the part played by the merchant partner in individual industries. The career I wish to examine is that of Thomas Bentley, the partner of Josiah Wedgwood. It is, I think, a particularly signi.
Wedgwood and Bentley Bowl British, Etruria, Staffordshire The Metropolitan Museum of Art
Wedgwood's innovative coloured glazing techniques extended to the production of pickle-dishes, dessert services, sauce boats, plates and ceramic handles for cutlery. Georgian Britain's.
Wedgwood and Bentley White Jasper Plaque Wedgwood, Antique porcelain, Antique pottery
When Wedgwood began his work, Staffordshire was the home of several important ceramic manufacturers such as Josiah Spode and Thomas Minton. Wedgwood and Bentley made their company the most important of the Staffordshire potteries and arguably the best-known pottery in the western world. Etruria would run as a facility until the 1930s.
A pair of Wedgwood and Bentley medallions of III and Queen Charlotte Rare Ceramics
The ceramics firm of Josiah Wedgwood and Thomas Bentley distinguished itself from other Staffordshire potteries by relying upon talented sculptors such as John Flaxman to reinterpret antiquity for modern British consumers. This vase is decorated with the "Dancing Hours," one of the best-known bas-reliefs designed around 1776-8 by Flaxman.
A WEDGWOOD AND BENTLEY BLACK BASALT OVAL PORTRAIT MEDALLION OF LOUIS XIV, KING OF FRANCE LATE
1769-1780 Biography Manufactory of Josiah Wedgwood I (q.v) and Thomas Bentley (q.v) between 1769 and Bentley's death in 1780. Based in Etruria, Staffordshire. Trade card in Banks Collection (D,2.1859) advertises "Wedgwood and Bentley's Mortars, For the Purpose of Chemical Experiments, the Uses of Apothecaries, and the Kitchen.
A pair of Wedgwood and Bentley medallions of III and Queen Charlotte Rare Ceramics
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A PAIR OF WEDGWOOD AND BENTLEY BLACK BASALT OVOID VASES AND COVERS CIRCA 1775 Wedgwood and
Wedgwood, Wedgwood and Bentley period About 1772. Titles Juno and Eagle (Title) Artist Wedgwood, England, est. 1759@Wedgwood and Bentley period, 1769 - 1780; Medium stoneware (black basalt) Dimensions Overall: 5/8 in. (1.6 cm) Overall1: 9/16 in. (1.4 cm) Credit Line Gift of Mr. and Mrs. Dwight M. Beeson, 1980.30;
A Wedgwood and Bentley Cameo Trophies grey teapot from the Prestige Range, with raised paste oval
1778-80 On view at The Met Fifth Avenue in Gallery 774 Artwork Details Overview Signatures, Inscriptions, and Markings Title: Medallion of Benjamin Franklin Maker: Wedgwood and Bentley (British, Etruria, Staffordshire, 1769-1780) Maker: Josiah Wedgwood and Sons (British, Etruria, Staffordshire, 1759-present) Date: 1778-80
Wedgwood and Bentley Vase with cover British, Etruria, Staffordshire The Metropolitan
Josiah Wedgwood and Thomas Bentley: An Inventor-Entrepreneur Partnership in the Industrial Revolution1 | Transactions of the Royal Historical Society | Cambridge Core Home > Journals > Transactions of the Royal Historical Society > Volume 14 > Josiah Wedgwood and Thomas Bentley: An Inventor-Entrepreneur. English Français 8 Cited by
A PAIR OF WEDGWOOD AND BENTLEY CREAMWARE 'PORPHYRY' TWOHANDLED VASES AND COVERS CIRCA 1780
Thomas Bentley (1731-1780) was an English manufacturer of pottery, known for his partnership with Josiah Wedgwood . Life He was born at Scropton, Derbyshire, on 1 January 1731. His father, Thomas Bentley, was a country gentleman of some property.
A PAIR OF WEDGWOOD AND BENTLEY BLACK BASALT OVOID CASSOLETTES AND COVERS CIRCA 1770 Wedgwood
Provenance Title: Mortar and pestle Maker: Wedgwood and Bentley (British, Etruria, Staffordshire, 1769-1780) Date: ca. 1780 Culture: British, Staffordshire Medium: Unglazed fine stoneware, wood Dimensions: mortar: 2 5/8 × 5 5/8 in. (6.7 × 14.3 cm) Classification: Ceramics-Pottery Credit Line: Gift of Dr. and Mrs. Lazarus A. Orkin, 1978
Wedgwood and Bentley Vase with cover British, Etruria, Staffordshire The Metropolitan
Research V&A Wedgwood Collection Wedgwood's abolition journey Kate Turner January 20, 2022 I Am a Man and a Brother. Display and trail open to visitors at the V&A Wedgwood Collection until March 2022 In 1787, Josiah Wedgwood began producing ceramic tokens with a protest symbol showing an enslaved man in chains.
A PAIR OF WEDGWOOD AND BENTLEY CREAMWARE 'PORPHYRY' TWOHANDLED VASES AND COVERS CIRCA 176880
In the 1770s Wedgwood and Bentley established the Etruria works near Stoke-on-Trent. Jasperware, granularly textured stoneware with white bas relief, was introduced in 1774. In later life Wedgwood was a prominent advocate of the abolition of slavery, from 1787 using his Wedgwood Jasperware as a means to publicise the cause in Britain and America.
A PAIR OF WEDGWOOD AND BENTLEY BLACK BASALT TWOHANDLED VASES AND COVERS CIRCA 1775 Wedgwood
Overview Signatures, Inscriptions, and Markings Provenance Title: Alexander the Great Maker: Wedgwood and Bentley (British, Etruria, Staffordshire, 1769-1780) Date: ca. 1779-80 Culture: British, Etruria, Staffordshire Medium: Black basalt ware Dimensions: confirmed: 22 7/16 × 12 1/2 × 11 1/4 in., 35.1 lb. (57 × 31.8 × 28.6 cm, 15.9 kg)
Wedgwood and Bentley Emperor Marcus Julius Philippus British, Staffordshire The
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Wedgwood and Bentley Mortar and pestle British, Staffordshire The Metropolitan Museum of Art
Free Shipping Big Framed Jasper Medallion, Clio by Bert Bentley, Wedgwood, circa 1925 Free Shipping Mantle Clock in Black Jasper Dip, by Bert Bentley, Wedgwood, circa 1925 Free Shipping Shield-Shaped Vase, Wedgwood, circa 1773 Portrait Medallion of Pitt the Elder, Wedgwood C1920 Free Shipping
